He added that the Academy would also look at whether the song was commercially available, with Grammy rules stating that a track must have “general distribution,” meaning “the broad release of a recording, available nationwide via brick-and-mortar stores, third-party online retailers and/or streaming services.” “As far as the creative side, it’s absolutely eligible because it was written by a human,” said Mason of the Recording Academy. They added that the Ghostwriter team had recently submitted “Heart on My Sleeve” for Grammy Awards in two categories at next year’s ceremony: best rap song and song of the year, both of which are awarded to a track’s writers. Ghostwriter attempted to match the content, delivery, tone and phrasing of the established stars before using A.I.
Representatives for Scott and 21 Savage did not immediately respond to a request for comment.Ī representative for Ghostwriter, who requested anonymity to not expose those behind the project - acknowledging that much of its marketing power comes from its mystery - confirmed that “Whiplash,” like “Heart on My Sleeve,” was an original composition written and recorded by humans. “If you’re down to put it out, I will clearly label it as A.I., and I’ll direct royalties to you. Artists now have the ability to let their voice work for them without lifting a finger,” Ghostwriter wrote. The song - which was posted to social media platforms like TikTok and X, formerly known as Twitter, instead of Spotify and other proper streaming services - came accompanied by a statement that called on both Scott and 21 Savage to collaborate on an official release. involved in something so creative and so cool, relevant and of-the-moment, it immediately starts you thinking, ‘OK, where is this going? How is this going to affect creativity? What’s the business implication for monetization?’” “I knew right away as soon as I heard that record that it was going to be something that we had to grapple with from an Academy standpoint, but also from a music community and industry standpoint,” Harvey Mason Jr., a producer who is the chief executive of the Recording Academy, said in an interview.
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In the months since, those behind the project have met with record labels, tech leaders, music platforms and artists about how to best harness the powers of A.I., including at a virtual round-table discussion this summer organized by the Recording Academy, the organization behind the Grammy Awards. Throughout the aftermath, Ghostwriter stayed silent - at least in public.īehind the scenes, however, the shadowy act and its team were making overtures to the very industry figures “Heart on My Sleeve” had unnerved. But while the major record labels sought to protect their intellectual property and scrambled to prepare for disruptions to come, the track also proliferated on social media, earning millions of listens and helping to inspire a wave of similarly novel compositions. fell into a rapidly expanding legal gray area. The mostly original song, “Heart on My Sleeve,” was promptly removed from official streaming services, even as experts acknowledged that its use of A.I. Gore passed away in February 2015 following a battle with lung cancer at the age of 68.Earlier this year, when the anonymous musical creator known as Ghostwriter released an unauthorized track that used artificial intelligence voice effects to mimic the pop superstars Drake and the Weeknd, the fallout was immediate and far-reaching. “That was the first pop record I made, was Lesley Gore, ‘It’s My Party.'” “I liked it because she sang in tune, and she had a nice sound, a very identifiable sound,” Jones said in an interview with NPR about hearing a demo of Gore for the first time. 1 hit in Canada, Australia and New Zealand. 1 on the Billboard Hot 100 and Hot R&B/Hip-Hop Songs charts. The song shot to the top of the charts, hitting No. Weeks after it was recorded, “It’s My Party” was released as the lead single off Gore’s debut album, I’ll Cry If I Want To, in April 1963. After the demo was recorded, it wound up in Jones’ hands and was one of the hundreds of demos he played for Gore when they met in February 1963.Ī month later, Gore was in a studio in Manhattan recording the track alongside 23 band members and roughly nine backup singers. Weiner then finished writing the song with Gold and Gluck Jr. He allegedly wrote the lyrics to “It’s My Party” and passed them on to his friend and songwriting partner Weiner, who was signed to Aaron Schroder’s publishing company at the time. In addition to owning a restaurant in the city, Gottlieb was a songwriter on the side.
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